Jin Shangyi was born in Jiaozuo, Henan Province in 1934. He graduated from the Department of Painting of Central Academy of Fine Arts in 1953; after he finished the study in Maksimov’s Oil Painting Training Class, he stayed in the academy and became a teacher. As an artist, the figure painting by Mr. Jin, especially the exploration in portrait painting, deeply influenced the process of Chinese Realistic Painting. As an art educator, since he was transferred to teach in the No.1 Studio of the Department of Oil Painting in 1962 till he was appointed Dean of the department, he has moulded a large number of excellent artists with his colleagues. The teaching revolution and renovation they advocated has become the model of Chinese higher education of art and they have also pushed forward its development.
Zhang Shujian, a young artist who was born in 1987, chose portrait painting as his main creation, just as his predecessor Mr. Jin did. He also graduated from Central Academy of Fine Arts. Surprisingly enough, he chose to study in the No.4 Studio, which is known for explorative expressionism. But in the end, he still stuck to the method of Photographic Realism. The artist claimed that he was calmly crazy about the polishing of each step and detail during the process of painting.
Painting: Jin Shangyi and Zhang Shujian is the first exhibition of "Painting Project". It presents the attention and research on realistic painting by Taikang Space. This exhibition showcases 11 paintings by Zhang Shujian, as well as some of Mr. Jin’s works/publications and related documents.
Zhang Shujian was born in Hunan Province in 1987 and graduated in the Department of Oil Painting of Central Academy of Fine Arts in 2010. He won several awards in different exhibitions, including the graduation exhibition.
|Painting Project|
"Painting" is the research project of the history and the current status of Chinese modern and contemporary painting launched by Taikang Space. The recognition, exploration and development of a painting language need the historical accumulation of a very long time. Each kind of painting language is inevitably given multiple meanings by different “-ism” in specific time and space. Its core concerns the nature of painting of the art itself. Through examining and arranging of the history of every kind of painting language, Taikang’s “Painting Project” chooses to show the representative works by an old artist and a young artist and studies their different understandings and pursuits for the same painting language, as well as the evolution in the nature of painting embodied by their works.
"Relation between generations” is what this project emphasizes. It is also a comparatively obvious characteristic of this project. The history of Chinese oil painting is only a hundred year long. If we consider it as an entirety macroscopically, we can see several major phases. This project will choose two artists in different phase to compare, one old artist and one young artist. it hopes to discuss the change of the noumenon of painting through examining the difference and relation between generations shown in similar style of painting.
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- Exhibition view
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- Exhibition view
- Jin Shangyi, Portrait of Mao Zedong (detail), 1966, Oil on Canvas, 262×137 cm
- Jin Shangyi, Portrait of Mao Zedong (detail), 1966, Oil on Canvas, 262×137 cm
- Jin Shangyi Portrait of Mao Zedong, 1966, Oil on Canvas, 262×137 cm
- Zhang Shujian Slanting Face a Bit,2012, Oil on panel, 30×35 cm
- Zhang Shujian, Black - 4 (detail), 2012, Pencil on paper, 109×78.5cm
- Zhang Shujian, Dark Eyes, 2012, Pencil on paper, 160×200cm
Painting: Jin Shangyi & Zhang Shujian
2012.06.21 - 2012.08.11
Artist(s):Jin Shangyi, Zhang Shujian
Curator(s):Tang Xin, Su Wenxiang, Xu Chongbao
2017
- Light Pavilion Project / Ce. Zhenhao: Fong Fo Film Studio
- Drawing Pogo
- Light Pavilion Project / Jiu Jiu: Fantastic Grounds - Tomorrow
- Light Pavilion Project / Good Painting
- Portrait Hot: Taikang Photography Collection
2016
- Taikang New Generation Curator Program / Toward the Emergence of Resistance
- Light Pavilion Project / Liu Zhangbolong: La Gaya Scienza
- Centennial Presents in Return: Exhibition of Alumni Donation from Chen Dongsheng and Li Yifei
- Light Pavilion Project / Wang Tuo: A Little Violence of Organized Forgetting
- Light Pavilion Project / Yang Guangnan: Dyspepsia
- LOVE-ADDICT
- The Weight of Spirit: Selection of Taikang Collection 2016
- Ghost in Flash: After Photography
- Light Pavilion Project / Hu Qingtai: Two Parts
- Light Pavilion Project / Liang Ban: Slightly Concussed
- Light Pavilion Project / Hao Jingban: Over-romanticism
- Bio-archiving: Underground Music in Shenyang 1995-2002
2015
- POLIT-SHEER-FORM MEETING: THE 10th ANNIVERSARY OF POLIT-SHEER-FORM
- Norman Bethune: Coevolution of Hero and Photography
- Back Home, Run Away: A Sample of Artistic Geography
- Fusion: Chinese Modern and Contemporary Art since 1930s
- At China: Early Photography And Photographic Techniques
2014
- THE FIRST DAWN
- LOVE STORY
- SLOW SHUTTER
- Xu Qu: Tennis Court
- Poppy: Zhang Hai'er Photography
- Pull Left: Not Always Right
- You Are Damn Wrong
- Transience: Intractable Objects
2013
- Jia Xiaoding: ENDLESS
- From Fuxingmen to Caochangdi: Taikang Space 2003—
- Wang Zhenfei: CONTROL
- Liu Xinyi: EXCITATION WAVES
- Groundwork Community
- Pessimism or Resistance?
2012
- Rural North China 1947-1948
- Cai Dongdong: PULLING TO THE LEFT
- Sunset Vacuum Plug
- Gao Weigang: SUPERSTITION
- Painting: Jin Shangyi & Zhang Shujian
- La Chambre Claire
2011
- Three Openings of Xiangqian Art Museum
- EXHIBITION
- Holy Land of Revolution & Legends of Shanghai: 4th Retrospective Photography Exhibition of Wu Yinxian
- IMAGE·HISTORY·EXISTENCE——TAIKANG LIFE 15th ANNIVERSARY ART COLLECTION EXHIBITION
- Present Continuous Past(s)
- Valiant & Heroic Peripateticism: 3rd Retrospective Photography Exhibition of Wu Yinxian
- 51㎡:16 Emerging Chinese Artists
2010
- 51㎡: No.16 Wang Yuyang
- 51㎡: No.15 Liang Yuanwei
- 51㎡: No.14 Yan Bing
- Genuine Colors & Images•All Sorts of Flowers Are in Bloom: 2nd Retrospective Photography Exhibition of Wu Yinxian
- 51㎡: No.13 Liu Chuang
- 51㎡: No.12 Ma Qiusha
- 51㎡: No.11 Xu Qu
- 51㎡: No.10 Lu Zhengyuan
- 51㎡: No.9 Pei Li
- 51㎡: No.8 Xin Yunpeng
- 51㎡: No.7 Hu Xiangqian
- 51㎡: No.6 Cai Weidong
- 51㎡: No.5 Li Mu
- In Between: Han Lei Photography Exhibition
- 51㎡: No.4 Wang Sishun
2009
- 51㎡:3# Zhao Yao
- 51㎡:2# Su Wenxiang
- Beijing Hotel and the Great Hall of the People: 1st Retrospective Photography Exhibition of Wu Yinxian
- 51㎡:1# Zhao Zhao
- Subjective Images
- Luo Yang
2008
- Lost Fuchun Mountain: Shu Hao Solo Exhibition
- Peppermint: Drawings by Yan Cong
- Spirit | Life: Jiang Jianjun’s Aesthetic Narrative
- Good Times: Chen Hongbo Solo Exhibition
- Chen Weiqun: Photo-Chromato
2007
- One Work: Propitiation of Liu Wei + Chen Haoyu
- Illusion–Running Away: Shu Hao’s Exhibition
- Box Space, Space Box: Ma Qiusha’s Photographs
- TIME LAPSE
- Mirage: Sun Hongbin Solo Exhibition
- Beautiful Plan: Han Yajuan Solo Exhibition